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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Christopher Britton (Vorsteen), Austin Nichols (J.D.), Sasha Roiz (Parker), Jay O. Sanders (Frank Harris), Nestor Serrano (Gomez), Ian Holm (Terry Rapson), Jake Gyllenhaal (Sam Hall), Christian Tessier (Aaron), Nassim Sharara (Saudi Delegate), Japanese Astronaut), Perry King (President Blake), Emmy Rossum (Laura Chapman), Michel 'Gish' Abou-Samah (Saudi Translator), Arjay Smith (Brian Parks), Kenneth Moskow (Bob), Adrian Lester (Simon), Carl Alacchi (Venezuelan Delegate), Richard Zeman (Flight Director), Kenneth Welsh (Vice President Becker), Mimi Kuzyk (Secretary of State), Glenn Plummer (Luther), Sela Ward (Dr. Lucy Hall), Dennis Quaid (Jack Hall), Tamlyn Tomita (Janet Tokada), Russell Yuen (Hideki, John Maclaren (Veteran Scientist), Dash Mihok (Jason Evans), Vitali Makarov (Yuri, Russian Astronaut)
0319262
The Day After Tomorrow steht zur Verfügung film von ausgeschieden Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, mit der Verwendung von a Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und am besten mit Schauspielern.
Sie sind fast nur beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in HD-Video zu denken, dass erforderlich sein freigegeben innerhalb gelegen Land. kommen, um Ihre Favoriten sofort movie, während der drücken Knopfdruck! von einer uneingeschränkt Anzahl der Bandbreite und Inhalte zu streamen, zu beobachten was Sie wollen, sollten, wenn Sie brauchen,!
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Systems Administrators & Support : Joe Ardent, Sound Mixer : David O. Daniel, Loader : Amelie Duceppe, I/O Supervisor : Ryan Beadle, CG Supervisor : Dagan Potter, Creature Technical Director : Vijay Myneni, Dialogue Editor : Daniel S. Irwin, Rigging Grip : Richard Complaisance, Foley : Glenn T. Morgan, Sound Designer : Alan Rankin, Property Master : Denis Hamel, Set Medic : Jean Marchand, Special Effects : Neil Corbould, Casting : Andrea Kenyon, Still Photographer : Kerry Hayes, Construction Coordinator : Rejean Brochu, First Assistant Editor : Quincy Z. Gunderson, Helicopter Camera : Steve Hertler, Visual Effects : Michael Leung, First Assistant Director : Kim H. Winther, Camera Operator : Peter Hutchison, ADR Editor : Kerry Dean Williams, Sound Recordist : Jon S. Trebilcock, Script Supervisor : Sophie Boyer, Sound Recordist : Chris Walmer, Chief Lighting Technician : Jean Courteau, Construction Coordinator : Michel Brochu, Visual Effects Supervisor : Ian Hunter, Transportation Coordinator : Daniel Matthews, Visual Effects : Kristen Branan, Second Unit Cinematographer : Anna Foerster, Assistant Property Master : Eric Bardin, Steadicam Operator : Gary L. Camp, Visual Effects Coordinator : Erica Headley, Visual Effects : Diane Macke, Set Dresser : Louis Dandonneau, Makeup Effects : Adrien Morot, Makeup Artist : Elisabeth Fry, Visual Effects Supervisor : Rocco Passionino, Set Decoration : Paul Hotte, Transportation Coordinator : Javier Gunther, Scenic Artist : Donald Beaulieu, Supervising Sound Editor : Larry Kemp, Editor : David Brenner, Visual Effects Supervisor : Remo Balcells, Production Design : Barry Chusid, Visual Effects Supervisor : Chris Watts, Hairstylist : Réjean Forget, Makeup Artist : Sharon Ilson, Music Editor : Emanuele Arnone, Technical Supervisor : Irfan Celik, Post Production Assistant : Jeff Schweikart, Location Manager : Céline Daignault, Original Music Composer : Thomas Wanker, Color Timer : Michael Eaves, Camera Operator : Gary L. Camp, Visual Effects Supervisor : Jerry Spivack, Lighting Supervisor : Chris Wells, Visual Effects Art Director : Alexander Laurant, Set Designer : Frédéric Amblard, Techno Crane Operator : Richard Boucher, Video Assist Operator : Julie Garceau, Stunt Coordinator : Charlie Brewer, 3D Artist : Zack Judson, Executive Producer : Stephanie Germain, Best Boy Electric : Edison Jackson, Stunts : Marcello Bezina, Art Direction : Tom Reta, Rigging Gaffer : Gilles Fortier, First Assistant Camera : Michel Bernier, Orchestrator : Frank Bennett, Camera Operator : Francois Archambault, Dialogue Editor : James Matheny, Unit Publicist : Joe Everett, Camera Operator : Bill O'Drobinak, Lighting Artist : David B. Menkes, Set Designer : Steve Cooper, Author : Jeffrey Nachmanoff, Visual Effects Supervisor : Colin Strause, Set Designer : Karl J. Martin, Visual Effects Supervisor : Greg Strause, CG Supervisor : Sean Andrew Faden, Construction Coordinator : Alain Brochu, Second Assistant Director : Erik Ajduk, Conductor : Blake Neely, Executive In Charge Of Production : Vanessa R. Jordan, Casting Assistant : Bryan Riley, 3D Supervisor : Rina Strause, Executive Producer : Kelly Van Horn, Second Unit Cinematographer : Tom Yatsko, Utility Stunts : Nick Brandon, Construction Coordinator : Bruce Di Valerio, Visual Effects Producer : Michael Meagher, Script Supervisor : Kim Berner, Visual Effects Producer : Mike Chambers, Hairstylist : Sandy DeBlasio, Matchmove Supervisor : Alia Agha, Grip : Joost Clerinx, Sound Recordist : Dennis Rogers, Boom Operator : Timothy P. Salmon, Location Manager : Kenneth E. Fix, Author : Roland Emmerich, Key Costumer : Valerie T. O'Brien, Production Illustrator : Michael Meier, Sound Engineer : John Bires, Digital Producer : Andra Bard, Co-Producer : Thomas M. Hammel, Leadman : David M. Milstien, Stunt Coordinator : Branko Racki, CG Supervisor : Andrew Waisler, Camera Technician : Steven J. Winslow, Art Direction : Réal Proulx, Driver : Chris Haynes, Digital Compositors : Sean Apple, Sound Re-Recording Mixer : Doug Hemphill, 24 Frame Playback : Marie-Pierre Tétreault, Stand In : Martin Brisebois, Sound Recordist : Tim Gomillion, Camera Loader : Charlie Newberry, Set Costumer : Arlynn Abseck, Makeup Effects : George Tucci, Sound Effects Editor : Michael Kamper, Visual Effects Producer : Jody Echegaray, Transportation Co-Captain : Spiro Tsovras, Special Effects Supervisor : Louis Craig, ADR & Dubbing : Derek Casari, Casting : Randi Wells, Sound Designer : Harry Cohen, Camera Operator : Georgia Packard, Digital Intermediate : Lorene Simpson, Sound Designer : Randy Kelley, Craft Service : Chris Winn, Makeup Effects : Sylvania Yau, Digital Effects Supervisor : Bryan Grill, Line Producer : Tavin Marin Titus, Visual Effects Producer : Todd Isroelit, Costume Supervisor : Kenn Smiley, Gaffer : Logan Leabo, Assistant Production Coordinator : Guylaine Boucher, Local Casting : Cate Praggastis, Visual Effects Editor : Michael Cavanaugh, Production Sound Mixer : Douglas J. Schulman, Production Coordinator : Danielle Boucher, Sound Designer : Ann Scibelli, Finance : Linda Strause, Visual Effects Supervisor : Richard Britton, Assistant Art Director : Camille Parent, Visual Effects Producer : Raoul Bolognini, Animation Supervisor : Danny Gordon Taylor, Set Designer : Vincent Gingras-Liberali, 3D Animator : Jeremy F. Butler, Lighting Technician : Stéphane Byl, Key Makeup Artist : Kathryn Casault, Camera Operator : Alfonso Maiorana, Roto Supervisor : Stephanie Taubert, Utility Sound : Schavaria Reeves, Costume Coordinator : Lyse Pomerleau, Construction Foreman : Eric Lafrance, Visual Effects Supervisor : Conny Fauser, Art Direction : Gerald Sullivan, Casting Associate : Scott David, Third Assistant Director : Paul Drouin, Camera Operator : Eric Goethals, Visual Effects Supervisor : Greg Anderson, Costume Supervisor : Robert Q. Mathews, Set Decoration Buyer : Stacy Weddington, Producer : Mark Gordon, Visual Effects Editor : Nicolas Anastassiou, Dolly Grip : Alain Masse, Sequence Leads : Jason Iversen, Pilot : Al Cerullo, Executive Producer : Ute Emmerich, First Assistant Editor : Robert Berman, Carpenter : Jane Kilkenny, Set Designer : Caroline Alder, Production Manager : Daniel Auclair, Producer : Roland Emmerich, Hairstylist : Kathryn Powell, Storyboard : Timothy Burgard, Makeup Effects : C.J. Goldman, Key Grip : Marc Andrus, Original Music Composer : Harald Kloser, Music Editor : Bob Beher, Set Production Assistant : Mariana Acuña Acosta, Supervising Sound Editor : Mark P. Stoeckinger, Key Hair Stylist : Janis Clark, Set Designer : Alex Touikan, Painter : Gloria Ciraolo, Visual Effects Supervisor : Karen E. Goulekas, Sculptor : Andrew Semple, Transportation Captain : John Bober, Visual Effects Producer : Petra Holtorf, First Assistant Sound Editor : Victor Ray Ennis, Modeling : Yoshiya Yamada, Software Engineer : Chamberlain Fong, Costume Design : Renée April, Executive Visual Effects Producer : Marc Sadeghi, Art Department Assistant : Una Martin, Art Direction : Michele Laliberte, Set Designer : Stephanie Gilliam, Unit Production Manager : Joe Dishner, Electrician : Paul Postal, Director of Photography : Ueli Steiger, Visual Effects Producer : Casey Conroy, Rigging Gaffer : Frank Dorowsky, Set Decoration : Victor J. Zolfo, Musician : Maria Newman, Negative Cutter : Gary Burritt, Post Production Supervisor : Jeffrey Harlacker, Unit Manager : Paul Boutin, Pre-Visualization Supervisor : Daniel Fort, Associate Producer : Kim H. Winther, Director : Roland Emmerich, Sculptor : Lucie Fournier, Supervising Art Director : Claude Paré, Property Master : Claire Alary, Propmaker : Patrice Jacques, Steadicam Operator : Francois Archambault, Still Photographer : Takashi Seida, Art Department Coordinator : Nancy A. King, Location Manager : Lily Flaschner, CG Supervisor : Hans Uhlig, CG Supervisor : David Prescott, Production Accountant : Manon Lapointe, Art Direction : Martin Gendron, Associate Producer : Lawrence Inglee, Casting : April Webster, Set Designer : Hugo Santiago
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Schlagwörter: saving the world, library, cataclysm, climate change, greenhouse effect, tornado, twister, hurricane, hail, temperature drop, ice age, polar zone, meteorology, gulfstream, barrier ice, ice melting, third world, exodus, evacuation, climate, government, snow, los angeles, scientist, doomsday, antarctic, disaster movie,
The Day After Tomorrow (2004) Beobachten Film
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